RADWIMPS is a Japanese band I first became familiar with via their music for Makoto Shinkai’s beautiful anime film Your Name, and whose music I will forever associate with my final months in Virginia—a time of my life that will forever stir up complex and uncertain emotions. And while the exact memories and images of places accumulated in my ten months at the College of William & Mary have already begun to fade as I settle into my new life in Memphis, the music of RADWIMPS will always yank me back to the sidewalks and streets of Williamsburg, VA.
The music of the group is a mélange of styles, ranging from hip-hop to rock, but the majority of their music would fall into what I would squarely call pop. And catchy, sensible pop at that. So it was that shortly after falling into the world of Shinkai and Your Name, I quickly downloaded all the albums and EPs that I could and put them on repeat. Which is to say that I had listened to most of their catalog prior to moving to Memphis, and which is why I find it curious that it was not until after I had moved that I had the experience of being stopped in my tracks by the song “Weekly Shonen Jump.” Continue reading “Dreaming of a Future: RADWIMPS’ “Weekly Shonen Jump””→
Shokugeki no Soma, aka Food Wars!, is a strange anime. It is a show with its central focus on the world of a gourmet cooking academy in Japan, albeit one with a large, sprawling campus, a huge student base, though also is a school rigorous enough that students are routinely culled in intense examinations and trials. It is categorized as a: comedy anime, a slice of life show (it is essentially a high school series after all), a competition/battle anime (most of its story arcs revolve around the titular “Food War” battles), and also an ecchi series (or semi-erotic/sexy anime, in this case the clothes of various characters are routinely blown off as a way of demonstrating just how intense and flavorful the food is). As with any ecchi series, yes, many of the women are drawn without regard to realistic body proportions, but dammit if the show isn’t a hell of a lot of fun and also funny. And the actual food wars, or shokugeki, are absolutely thrilling and really make me want to do more cooking, or at the very least experiment more in the kitchen.
And it is the food wars that I want to to talk about a bit more here, or one in particular that occurred in the first half of season 3: Yukihira Soma (our main character) vs. Eizan Etsuya (a member of the school’s Elite Ten council of students).
Perhaps it came while struggling to get through the final arc of Agents of SHIELD season 4, or perhaps it was in the depths of Iron Fist with Defenders and Punisher looming in my cue. Or maybe it was the realization that I was buried under a mountain of anime and other TV shows I wanted to watch on Funimation, Hulu, Amazon, and Netflix. Or maybe it was all the videos piling up in my YouTube “Watch Later” playlist. Or maybe it was all the other things I knew I wanted to do in my life with research and writing and the realization that there were only so many hours in the day. Somewhere in all of that, in between all of the content that I felt like I had to consume to stay relevant in “the discussion” and what I increasingly felt like I wanted to do, that I had a moment of clarity and started deleting things from my various playlists, cues, and checklists. Continue reading “FOMO NOMO: Or How I Learned to Stop Trying to Keep Up With Everything”→
One of the items I acquired over Christmas 2016 was the recent Funimation box set of The Melancholy of Haruhi Suzumiya, a 2006/2009 anime based on a series of popular Japanese light novels. I had heard many recommendations for this series, and the basic idea of it sounded both weird and fascinating: a high school girl who is an unknowing all-powerful being who might accidentally wipe out existence if she gets bored. The trailer for Funimation’s release of the series gives a decent overview:
This clip also gives a hint at a fascinating scene that occurs in episode six (of the chronological ordering…yes there are various viewing orders and it is somewhat confusing so just read this) when Haruhi has created a “closed space” dimension and sucked our poor, snarky protagonist Kyon into it with her. During a climactic moment when Kyon realizes what he needs to do to escape with Haruhi the closing minutes of the first movement of Mahler’s Symphony #8 kicks in. The sequence lasts for almost 4 ½ minutes and features a seemingly unbroken stretch of the movement. Continue reading “Veni Creator Spiritus: Musical Quotations in The Melancholy of Haruhi Suzumiya”→