Not The Films We Need, But the Films We Deserve: Safe vs. Daring Yet Flawed Films

By Michael W. Harris

I really wanted to love Pacific Rim. Like, unabashedly, giggling like a little kid at a silly joke, deliriously love it. And the trailers set me up for such a love! I mean, the plot was something that two eight-year-olds playing with their toys would dream up on a weekend: giant robots fighting giant monsters. It was a live action anime. It was every nerdy “what if” conversation you would have as an undergrad when you finally found “your people.” And that line from the trailer was perfectly hammy yet earnest: “WE ARE CANCELLING THE APOCALYPSE!”

So what happened? Why didn’t I have that complete rush of joy when I left the theatre? I liked it, sure. I even enjoyed it. But the giddiness I felt at the first trailer didn’t materialize. And the “apocalypse” speech fell flat. It was too short and didn’t earn its tag line, like “TODAY IS OUR INDEPENDENCE DAY!” did during the summer of 1996. And I think that is a good point of comparison, as I view both films similarly as to what I wanted: a fun, goofy, science fiction romp that doesn’t take itself too seriously. That is what Independence Day is and what I thought Pacific Rim was going to be. So where did PacRim go wrong where ID4 went right? Well, the latter went for broke with the goofy one-liners and tongue in cheek remarks, whereas the former played it too safe and didn’t lean into its silly, kids playing with toys premise. Continue reading “Not The Films We Need, But the Films We Deserve: Safe vs. Daring Yet Flawed Films”

Pacific Rim and the Art of Life

By Michael Harris

So last Friday, with the words from my overly long post on modern music still ringing in my ears, I went and saw Pacific Rim with a good friend, Andy Lee, whose recordings of lesser known minimalist composers you should really check out.  Anyway, I started to think, while watching giant robots fight giant monsters, how I might discuss this film in context of what I had just written.  Would this film be an example of recycled Hollywood schlock, opiate for the masses, art of death?  (Which on the surface it would seem to be.)  Or is it life affirming, truly creative, and something that helps to contribute to the on-going dialogue amongst creators; the art of life?  For me, it is quite assuredly in the latter category, and I’ll explain why shortly.  First, though, a brief review. Continue reading “Pacific Rim and the Art of Life”

First Impressions: Pacific Rim by Ramin Djawadi

By Michael Harris

One of my most anticipated movies of the summer, Guillermo del Toro’s Pacific Rim, is set to drop in a week and you better believe I will be there opening weekend.  Late last week I bought the score off iTunes and began listening to it. Continue reading “First Impressions: Pacific Rim by Ramin Djawadi”