Getting Loaded at The World’s End: Compiled Soundtrack in The World’s End

By Michael W. Harris

One of the great things about using a song, or numerous songs, in a film is that they can immediately evoke a time or a place.  Think of George Lucas’ American Graffiti (1973) which gets so much of its power from its amazing use of music (and DJ banter) to recreate the ‘50s era, along with some great set and costume design.  Continue reading “Getting Loaded at The World’s End: Compiled Soundtrack in The World’s End”