By Michael W. Harris
Almost any film (or narrative story) is about “the journey.” It is what gives a character their arc and shows their growth. Sometimes there is a very literal metaphor of this arc with a character climbing a mountain or driving across the country with a friend or their father’s ashes…or Einstein’s brain. Regardless, something they all have in common, though, is that the journey is the means by which the character grows. This is the essence of “The Hero’s Journey” and the well-trodden Joseph Campbell Hero With a Thousand Faces and what not.
But what about a film that is not about the hero’s journey and how it changes them? What about a film in which the journey itself is the point? A journey that, while somehow revelatory of the character and either their motivations for the journey or society as a whole, rather than changing them or causing them to grow as a person, instead ends up either not affecting them or, if anything, leaving them worse off for making the trip.
These kinds of films are about how what is being journeyed through reflects or, in the case of Annihilation, refracts back on the person or society. Continue reading “It’s Got to be the Goin’: The Journey of (Self) Annihilation”