By Michael W. Harris
I am still a relative newcomer to the pen and stationery hobby, but like so many, once I dive-in, I tend to devour and learn all that I can. It is my personality and is most assuredly an off-shoot of my librarian/archivist/academic tendencies. So it was that, pretty quickly, I became a bit confused and annoyed with the rather loose definitions of the terms “vintage” and “modern” by those in the community. Ask 10 hobbyists how they would define “what is vintage and what is modern,” and you would probably get at least 5-7 different answers, if not 10! For me, this is a problem because I need some guidelines at the very least!
We could try and use the qualifications that are applied to antique/vintage car registrations, which can vary between state and country, but they usually label as vintage anything that is between 20 or 35 years old. This, while giving us a set length of time, also yields a moving window, meaning that—eventually—everything becomes vintage. Which might be fine for some…but not for me. And my feeling that way is due to how people will talk about a “vintage inspired design,” not unlike how some talk about vintage clothes, which points to a more aesthetic criteria for what is vintage vs. modern. (For example, see the cover story of Pen World February 2019, which touts, “Vintage Inspiration” in a story about Armando Simoni Club, Wahl-Everysharp, Conway Stewart, and Bexley, pp. 42-9.)
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